Ryan Reynolds Born for Deadpool
Based upon Marvel Comics’ most unconventional anti-hero, “Deadpool”
tells the origin story of former Special Forces operative turned mercenary Wade
Wilson, who after being subjected to a rogue experiment leaves him with
accelerated healing powers and adopts the alter ego Deadpool. Armed with his
new abilities and a dark, twisted sense of humor, Deadpool hunts down the man
who nearly destroyed his life.
Along with
Deadpool fighting in the buff, the film’s torrid scenes between Wade and
Vanessa, and Deadpool’s non-stop and off-color verbal stylings, all contribute
to the film’s R-rating. “I think the
R-rating allows us to have a level of reality that wouldn’t be possible with a
PG-13,” says Miller. “I also think it’s
an important step in the expansion of the genre. There’s a type of film that can only be made
with this rating, and that really expands the boundaries of the stories comic
book movies can tell.”
Reynolds embraced
the character’s myriad (and often twisted) facets. “In the comic book world, Deadpool is a man
of our time with the ability to spout just the right thing, in terms of a pop
culture reference, at the worst possible moment,” he quips. “That’s what makes him interesting to me and
also makes him sort of limitless.”
The character’s
accessibility is defined partly by his twisted sense of humor. “It really draws you in,” Reynolds
notes. “Deadpool has this bright,
optimistic outlook on life, even though his life is pretty shitty. I mean, he’s become horribly disfigured from
the experiments that gave him his powers.
And, he can’t find love and he’s more than a little insane.”
Reynolds’
director is also infused with Deadpoolian traits. “Tim has a bit of Wade Wilson’s acerbic
attitude in him,” says Reynolds. “He
sort of speaks, moves and talks like him, too.
I think that helped Tim access the character. He really understands how to balance the
over-the-top action and humor with pathos, because in some ways, Wade Wilson is
a tragic character.”
Bringing the
exploits of an unconventional superhero to life sometimes created an equally
unexpected vibe on set. Notes Stan Lee:
“When you see Tim Miller and Ryan Reynolds working together, they are both so
in sync; they see the movie the same way.
It’s though they’re playing a game and each one of them is doing his job
so magnificently. When I did my scene in
“Deadpool,” I didn’t even know I was working.
When it was over, I said, ‘When do we start?’ and Tim said, ‘You’re
finished.’ That’s how effortless he
makes it seem.”
The filmmakers
remain convinced the time is right for this unique movie event. “When comic book movies first appeared, they
had to be ‘tentpole’ movies, which had to appeal to the broadest possible audience,”
Miller says. “Deadpool was always meant
to be an edgy film, and the time is right for it. The genre of superhero and comic book films
is wider and it feels like it’s time to do a film like this, that sort of
pushes the boundaries a little further.”
Rated R-16 by the
local censors board, “Deadpool” will open in IMAX and 2D cinemas on February 10
from 20th Century Fox to be distributed by Warner Bros.
Post a Comment