“Deadpool” To Paint the Town Red on Feb. 10 (In Cinemas)
Expect plenty of wry humour in “Deadpool,” directed by Tim Miller and
at Reynolds’ own experiences in the comic book world. Based upon Marvel Comics’ most unconventional
anti-hero, “Deadpool” tells the origin story of former Special Forces operative
turned mercenary Wade Wilson, who after being subjected to a rogue experiment
that leaves him with accelerated healing powers adopts the alter ego Deadpool.
Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts
down the man who nearly destroyed his life.
“Deadpool” star
and producer Ryan Reynolds has no bigger fan than Marvel Comics legend Stan
Lee, who has a fun cameo in the film and also serves as an executive producer. “There’s never been a character like
Deadpool, and Ryan Reynolds plays him as though he was born to play the role,”
says Lee. “Just like Robert Downey, Jr. was born to be Iron Man, you just can’t
picture anybody else besides Ryan as Deadpool.”
Reynolds embraced
the character’s myriad (and often twisted) facets. “In the comic book world, Deadpool is a man
of our time with the ability to spout just the right thing, in terms of a pop
culture reference, at the worst possible moment,” he quips. “That’s what makes him interesting to me and
also makes him sort of limitless.”
Reynolds had long
championed a film version of the iconic comics character. His deep involvement in the film’s
development continued throughout production, in brainstorming sessions with
director Tim Miller and screenwriters Rhett Reese and Paul Wernick
(“Zombieland”).
Tim Miller, who
makes his feature film directorial debut on Deadpool, notes, “I think Ryan’s
personality and DNA are really infused in the character. It was a close match to begin with, which is
why Ryan was so attracted to Deadpool in the first place.”
“Ryan has a
tremendous sense of humor, is very quick, and the character has really seeped
into him,” says Reese. “He became in a
way our ‘Deadpool Police.’ Whenever we got off tone or were writing in a way
that didn't feel quite right, Ryan would say, ‘I don't think that sounds like
Deadpool.’ We knew he was the best
arbiter, because Ryan knows and loves the comics and has assimilated Deadpool’s
voice and sense of humor.”
“We’re staying as true to the character as possible,” adds
Reynolds. “We really ran with the idea
of Deadpool being aware he’s a comic book anti-hero. It gave us the freedom to tell this story in
a totally unorthodox way. We occupy a
space that no other comic book movie has – or can.”
Deadpool is a
unique figure in the Marvel Universe.
Fabian Nicieza and Rob Liefeld created Deadpool as possessing an often
non-superheroic attitude. A sardonic
foil to the holier-than-thou heroes and villains that populate Marvel’s other comics, Deadpool constantly
cracks edgy jokes and breaks the fourth wall.
Liefeld joins
Stan Lee in his admiration of the filmmakers’ work in translating the character
to the big screen. “DEADPOOL explodes
with action,” says Liefeld. “Ryan, Tim Miller, Paul and Rhett mined all the
good stuff in the comics from about a ten-year period and came up with a movie
that sews it all together. This will be
the Deadpool that will become canon moving forward!”
It’s a date on
Valentine’s week with “Deadpool” starting February 10 in cinemas (and IMAX
screens) nationwide from 20th Century Fox to be distributed by
Warner Bros.
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