The Great Medieval Massacre in “SWORD OF VENGEANCE”
“Sword
of Vengeance” is a historical action film, which tells the story of The
Harrowing of the North: The infamous genocide ordered by William the Conqueror,
to control the unrelenting Rebels of the North. After the brutal slaughter of
100,000 inhabitants, armies killed off all livestock and salted the earth; no
crop or plants could grow for decades to follow. The northern forests and lands
laid in eerie, lifeless devastation.
Directed
by Jim Weedon, who began his career in music videos editing for bands such as
U2, Blur and Jamiroquai, “Sword of Vengeance” is replete with a great visual
style where the director faced an incredible challenge in making the film
distinctly unique from the norm of the current myriad of period action
films.
“From
the start I was conscious of the fact that the film needed to stand apart and
to have a singular identity. The budget wouldn't allow for us to compete with
many of the studio productions of the moment, but I also didn’t want to, what I
wanted to achieve for the audience was something equally arresting but in a
completely new realisation. I have been a fan of the chambara style of Japanese
samurai movies since childhood. I was intrigued with the idea of creating a
medieval world that tonally sat within this style. Immediately we gave the film
a very distinct and unexpected look and style,” shares Weedon.
The
fact that the filmmakers removed so much dialogue meant that the sound had to
work suitably hard to convey the unsaid. Further, Weedon disclosed that “Both
Roland Heap (sound designer) and Stephen Hilton did an incredible job of
creating the sonic nature of the film. I wanted the audience to have a musical roller-coaster
ride as they witness the storyline unfolding. We really pushed the sound design
and musical approach to bring the visuals into a very vivid but chambara life.
Sound is integral to my commercial work and something that always creates the
unexpected in the visuals.
This can be the most rewarding and unexpected aspect of filmmaking. The film needed to have a certain aesthetic to its overall look. I went for a bleach bypass approach in the grading to achieve very little colour in the film. To help this aim the wardrobe was specifically designed to be muted, working with blues, greys and black, the only real colour coming through is the inherent hues from the fur that the heroes wore.”
This can be the most rewarding and unexpected aspect of filmmaking. The film needed to have a certain aesthetic to its overall look. I went for a bleach bypass approach in the grading to achieve very little colour in the film. To help this aim the wardrobe was specifically designed to be muted, working with blues, greys and black, the only real colour coming through is the inherent hues from the fur that the heroes wore.”
“Overall
I believe we have achieved what we had set out to do, to create a world that
stands apart in the realms of period dramas. SWORD is exciting, unforgiving and
relentless, it makes no apologies as we are thrown into a world of dark times
and dark deeds,” assures Weedon.
Starring
notable character and stage actors such as Stanley Weber, Annabelle Wallis,
Karel Roden and Ed Skrein, “Sword of Vengeance” will open this June 3 in select
theatres from Axinite Digicinema.
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