Famed Director David Frankel discusses latest film ‘One Chance’
David Frankel, who has directed a host of popular dramatic comedies
in recent years, including MARLEY & ME, THE DEVIL WEARS PRADA and HOPE
SPRINGS, had first been sent the script in late 2008 and had loved the story
and its themes. “I had been a big YouTube
fan of Paul Potts,” he explains.
“Someone sent me the clip and I fell in love with him and had downloaded his
recording of ‘Nessun Dorma’ and sent it to everyone I knew. I had always
thought that a comedy set in the world of opera would be intriguing, because
it’s this beautiful world that doesn’t get explored in the movies. And then
here was this script that almost exactly combined these two ideas.”
Producer Mike Menchel cites Frankel’s interest
as a pivotal moment in ONE CHANCE’s
journey to the big screen. “It’s
not every day that you get a filmmaker as talented as David involved in a
smaller, offbeat project like this,” he notes. “He’s absolutely passionate
about this material and this story.” Partnering with Harvey Weinstein was also instrumental, with the Oscar-winning
producer bringing a similar level of passion to the Potts biopic. “He’s a game-changer,” says Menchel. “He saw what we saw in it and he said, ‘I’m
making this by hook or by crook.’ That’s when the train pulled out of the
station.”
Says Harvey
Weinstein, "I am incredibly happy to
be a part of this project. This was one of those screenplays I immediately fell
in love with, and it’s exciting to see it brought to life with David Frankel
and James Corden.”
While citing the
Rocky references himself, Frankel also viewed ONE CHANCE as a Cinderella story
about a downtrodden man with nothing but talent who magically finds a way to
share it with the world…but not before encountering a string of funny/sad
happenings to arrive at that place. The director brought a vision to the film
that might not have been immediately apparent on the page, a desire to widen
the scope of a narrative that could easily be told on a smaller scale without
losing the story’s intimacy or changing its fundamental nature as a portrait of
a very ordinary man.
In a serendipitous
bit of casting, Weinstein suggested hiring a British actor who was then taking
the theatre world by storm in ‘One Man, Two Guvnors’: James Corden. The
acclaimed National Theatre production, directed by Sir Nicholas Hytner, had
transferred to London’s West End and then onto Broadway, where it played for
six months at the Music Box Theatre to giddy audiences, massive acclaim and a
nightly celebrity turnout.
When Menchel
bumped into Weinstein at the 2012 Sundance Film Festival, while casting
discussions were underway about who was going to portray Paul Potts, Harvey
suggested that his counterpart go see ‘One Man, Two Guvnors’ at London’s
Adelphi Theatre, where Richard Bean’s smash-hit play had transferred after its
initial three-month run at the National. “Ten
minutes into the play, I literally stood up and said, ‘Harvey Weinstein is
right! This is the guy,’” says Menchel.
“You saw the talent, you saw the similarities, you saw not just the humor but
also the heart. He just had it. I went back to Harvey and said, ‘Once again,
you are right.’”
Frankel has always
wanted to make a film that incorporated opera into its storyline. The American
director has a personal connection: his father trained to sing opera when he
was a teenager. “He has a beautiful tenor
voice to this day and has always loved opera,” says Frankel. In his youth, his
parents took him to see all the classics. “I had an education; I have a sense
of the great composers but I couldn’t tell you the plot of Figaro,” he laughs.
“I just learned the plot of Aida the other day while we were shooting a scene
about it, and it’s so convoluted I can’t even remember it now. But going into
this movie, I didn’t appreciate how much I would fall in love with the arias.
The music is so beautiful and part of the great fun of making this movie is
getting to share that.”
“I like that this story manages to be both sweet and
funny in equal measure,”
says Frankel. “Those are two adjectives that I’d love to see used to describe
all my movies. It has elements of a fable and yet it happened in real
life.”
From THE DEVIL
WEARS PRADA to MARLEY & ME to HOPE SPRINGS, Frankel brings a consistent
tone to the stories he tells and feels just as comfortable with the belly
laughs and comic sensibility in a narrative arc as he does delivering the
knock-out emotional blow. His films are full of heart and he’s not afraid to
get sentimental – a dirty word in some people’s eyes, but handled sublimely by
Frankel. He was the perfect man to direct Potts’ story and to get the optimum
performance from Corden.
“The humor in David’s films is never cruel,” observes Thykier. “You might laugh at the circumstances Paul finds himself in and some of
the things that happen to him, but you’re never laughing at Paul in this film.
The humor rises out of the drama, and you can recognize that from David’s
previous films.”
Frankel and Corden
collaborated together to finesse Zackham’s script. As the director observes,
“James is a brilliant writer himself and has phenomenal instincts about drama
and comedy.” He credits Corden with thinking up a creative solution for
introducing Potts’ family into the story that would rely on music rather than
dialogue. “It’s Chaplin-esque,” Frankel
says. “It takes all the words away and makes something that could have been
prosaic really extraordinary. He had those instincts all the way through.”
“I’ve loved working with David,” echoes Corden. “When I asked him why he wanted to make the film, he said that he was
really interested in people’s hidden talents. He’s so passionate about this
story.” Corden’s co-star Alexandra
Roach also found herself smitten by Frankel and the laid-back, all- encouraging
atmosphere that he cultivates on his sets. And she couldn’t believe that she
was getting to work with the director of one of her all-time favorite films. “I
cried so much at the end of MARLEY & ME,” she laughs. “There’s a magic with
his films that he’s able to get the audience to feel exactly what he wants them
to feel at a specific time. It’s my first leading role in a feature film and
quite a big milestone for me as an actress, and he made me feel so comfortable.
Any nerves I felt coming in completely evaporated because he is so supportive
and wonderful. He let me fly.”
“ONE CHANCE” is released and distributed by CAPTIVE
CINEMA.
SHOWING NOVEMBER 5.
In theatres …NATIONWIDE!
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