Kristen Stewart and Nicholas Hoult dare to fall in love in “Equals
In the romantic science fiction drama “Equals,” Kristen Stewart and
Nicholas Hoult play star-crossed lovers being watched closely by a Big Brother in
a future where emotions are disabled to achieve a peaceful society.
Produced by
Ridley Scott’s production house, Scott Free and directed by accomplished
filmmaker Drake Doremus, “Equals” is an emotionally and visually arresting film
from a screenplay by Nathan Parker based on a story idea from Doremus.
“Equals” is a
nuanced, slow-burning love story, the film is set in a futuristic utopia where
emotions have been genetically suppressed in an effort to protect society from
the war and strife that has destroyed previous generations. On occasion, the
suppression fails and emotions emerge in individuals – the Collective dubs this
illness Switched On Syndrome, or SOS. As society is increasingly threatened by
this health crisis, all SOS sufferers are heavily medicated or sent to the Den,
a corrective facility from which no one returns.
Kristen Stewart
and Nicholas Hoult are Nia and Silas who encounter each other as colleagues at
the science journal, Atmos. As Silas begins to experience the onset of SOS and
his own awakening emotions, he finds himself inextricably drawn to Nia, who is
hiding her own SOS. The longer they attempt to suppress their palpable
connection, the more the tension fans the flames of their attraction. But with
this newfound pleasure of intimacy, comes the threat of discovery and
consignment to the Den. With the support of a group of like-minded SOS
patients, they realize escape is their only option.
While Doremus and
Parker worked on the story and script night and day, producer Pruss and Scott
Free strove to assemble the players necessary to push it into production. With
the blessing of Scott Free production chief Michael Schaefer, the project
attracted a group of heavyweight backers and the project’s journey to principal
photography gathered momentum. Putting the project in front of Ridley Scott
played a pivotal role in getting “Equals” made.
Pruss says:
“Having Ridley Scott as a producer on the film and as someone who is going to
present the film, was not just crucial, but very inspiring for us all.
Obviously Ridley is someone who knows a thing or two about science fiction and
I think you can really feel his imprint on the film.”
“Equals” also
completes Drake Doremus’ trilogy of films about love, also comprised of the
Sundance winning “Like Crazy” (2011) and “Breathe In” (2013). Equals began its
journey to the screen with a question that Doremus posed to producer, Michael
Pruss: “What will love look like in the future… do you think we could
potentially evolve away from the thing that makes us most human?”
Doremus and
Parker instantly clicked and began brainstorming the question and the myriad of
ideas it conjured, before landing on the idea of a society where humans are
genetically modified to be absent of feeling for the betterment of society. In
developing the story, Parker strove to examine not just the positive aspects of
love, but also the pain and agony that accompanies caring deeply for another
person. “We wanted these two characters,
once they discover love, for it to feel like it was a curse,” Parker says.
“They don’t want it, they want to run away from it, but are drawn back together
because they can’t resist it.”
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