Breakthrough Cinematic Style in “WILD”
With zero outdoors experience, a monstrously heavy
backpack and fueled by little but her own ragged will, bestselling author
Cheryl Strayed set out to hike the PCT, the longest, toughest and wildest
through-trail in America, completely alone, for 94 days.
From such journey comes one of the most inspirational books published, “Wild:
From Lost to Found on the Pacific Crest Trail” – now translated to screen,
produced and starred by one of the world’s most influential women, Reese
Witherspoon.
The New York Times Book Review called Strayes’
work a “literary and human triumph” and
The Boston Globe said Wild is “an addictive, gorgeous book that not only
entertains, but leaves us the better for having read it.”
“It
was essential to us to maintain the purity of Cheryl’s book,” says Reese’s
producing partner Bruna Papandrea. “The book was so popular because whether
you’re from a broken family or you’ve lost someone close to you or you’ve
struggled with hardships, this is a story that reminds us we can save
ourselves. Cheryl gets her life back because she chooses to walk back into the
world. We wanted to tell that
story.”
“Choosing
a film to direct is choosing your lifestyle. When I get involved on a film, I
want to wake up in the morning with a smile on my face and happy to do my job.
The way to make that happen is to choose the right project. Funny enough, I
don’t think that I chose WILD. WILD chose me. That’s how privileged I feel to
be part of the WILD team and like everyone else, how lucky I felt to be at the
service of an amazing story to tell the world: Cheryl Strayed’s story that
humbly reminds us, despite how tough and cruel life can be, we can always put
ourselves in the way of the beauty. ‘Yeah right’, you’re probably thinking.
‘Double f*cking yeah right’, I’m telling you!” says director Jean-Marc Vallée.
Director
Vallée works again with “Dallas Buyers Club” cinematographer Yves Bélanger, the
two brought their distinctively minimalist cinematic style – utilizing
hand-held digital cameras and natural light – for the first time to a
wilderness setting. These raw, unadorned
visuals would later be woven into a tapestry of present-tense encounters –
human and otherwise – with ghostly flashbacks and stream of consciousness to
recreate a story that heads inward even as it explores the outdoors.
There
was little doubt that the role would bring with it extreme athletic demands as
Cheryl navigates across rock, river, ice and snow. “If I would have been a person who didn’t
love the outdoors, this role would have been impossible,” says Reese. “As it was, it was extremely challenging on
every level, and far more physically challenging than I ever anticipated. There was climbing up the side of a mountain
and balancing in river crossings and marching through chest-deep snow and
falling into a freezing river. I had no
idea it was going to be as hard as it truly was. But it was also very, very rewarding.”
The
heart-stirring vistas rife throughout the shoot were a constant inspiration for
Witherspoon, and a reminder of why the untouched spaces of wilderness called so
strongly to Cheryl, even at rock bottom.
“It fills you up,” the actress says.
“To see the incredible beauty of our world makes you believe everything
might really be OK. I think that’s how
Cheryl came to feel.”
The
way Jean-Marc Vallée shoots, using hand-held digital cameras that move
continuously through 360 degrees, was also a revelation for Witherspoon and
sparked even more risk-taking in her performance. “I've never done anything like it
before. It's very unorthodox,” she
comments. “As an actor, it helps frees
you of old patterns. You feel like
you're always in the moment and anything is possible. We could be in a wide shot one minute and a
close-up the next, just as I might be sobbing one moment and ecstatic the
next. It was a really exciting kind of
process.”
“The
boots and backpack became a part of me,” Witherspoon notes. “The backpack came to feel like it was my arm
or leg. Sometimes I would forget between
scenes it was even on my body. Sometimes
the prop master would have to say ‘you can take it off.’ As Cheryl says in her
book, there’s something amazing about realizing that everything you really need
in life you could carry on your back. It
is so liberating. It's a beautiful
idea.”
Throughout
production, Witherspoon’s feet were chewed up, her body left aching and, much
like Cheryl had, she passed through some dark and fearsome interior places but
was constantly invigorated by the hard-won transformation she was
projecting. “It was never easy, but it
was the kind of thing where when you get to the end of the day, you just feel
like you’ve accomplished something,” she concludes. “I felt so lucky to be able to tell a story
like Cheryl’s.”
Take
a moment for one meaningful journey when “Wild” opens in cinemas nationwide on
February 4 from 20th Century Fox to be distributed by Warner Bros.
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